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[159.127.163.23]) by mx.google.com with ESMTPS id r15-20020a50c00f000000b0042de64ca253si9694445edb.397.2022.06.18.11.02.20 for (version=TLS1_2 cipher=ECDHE-ECDSA-AES128-GCM-SHA256 bits=128/128); Sat, 18 Jun 2022 11:02:21 -0700 (PDT) Received-SPF: pass (google.com: domain of bounce@email.nationalgeographic.com designates 159.127.163.23 as permitted sender) client-ip=159.127.163.23; Authentication-Results: mx.google.com; dkim=pass header.i=@email.nationalgeographic.com header.s=ep1 header.b=BR4OTF5X; spf=pass (google.com: domain of bounce@email.nationalgeographic.com designates 159.127.163.23 as permitted sender) smtp.mailfrom=bounce@email.nationalgeographic.com DKIM-Signature: v=1; a=rsa-sha256; c=simple/simple; d=email.nationalgeographic.com; s=ep1; t=1655575293; bh=FvVwXgsOl4HZC2DS4ha+8t0HuL6s3P5SHkD9qbbVjhs=; h=MIME-Version:Subject:From:To:Date:Content-Type; b=BR4OTF5X74MhO2zqZgPJ4e5OCOEXsO+bFlv5lJ1ro8kkUHlGRge9P1Cjn0AYnTvKq 9yKs2JuzziR8rfgCDq5AlLpNCKU9NHhzlcqCPK2v9E2Ox6AdS7bWbOVtGn1QPUnwoE KyLHWF82WdS9NtBPVOM3jp1O/Wd/+hwtkXMSTigY= Received: from [10.233.19.21] ([10.233.19.21:36004]) by pc1udsmtn2n12 (envelope-from ) (ecelerity 3.6.9.48312 r(Core:3.6.9.0)) with ECSTREAM id AB/22-56072-DF21EA26; Sat, 18 Jun 2022 18:01:33 +0000 List-Unsubscribe: Message-ID: MIME-Version: 1.0 Feedback-ID: e5307875-6743-443b-8530-bc984bbcfb40:51c703a2-b031-452b-88bb-2eceb83411f2:email:epslh1 X-NSS: e5307875-6743-443b-8530-bc984bbcfb40 Reply-To: "ng@email.nationalgeographic.com" Subject: Reclaiming the right to rejoice From: National Geographic To: sterlingwhg@gmail.com Date: Sat, 18 Jun 2022 18:01:33 +0000 Content-Type: multipart/alternative; boundary="-=Part.aaa1ed.4f8acf3be821694c.18177fa2f3c.dbc55af9bae51ce6=-" X-Spam-Status: No, score=-5.0 X-Spam-Score: -49 X-Spam-Bar: ----- X-Spam-Flag: NO ---=Part.aaa1ed.4f8acf3be821694c.18177fa2f3c.dbc55af9bae51ce6=- Content-Transfer-Encoding: quoted-printable Content-Type: text/html; charset=UTF-8 National Geographic | National Geographic =20 =20
Plus, documenting Yellowstone’s floods  ‌ ‌ ‌ ‌ ‌ ‌=  ‌ ‌ ‌ ‌ ‌ ‌&nb= sp;‌  ‌ ‌ ‌ ‌ ‌=  ‌ ‌ ‌ ‌ ‌ ‌&nb= sp;‌ ‌  ‌ ‌ ‌ ‌=  ‌ ‌ ‌ ‌ ‌ ‌&nb= sp;‌ ‌ ‌  ‌ ‌ ‌=  ‌ ‌ ‌ ‌ ‌ ‌&nb= sp;‌ ‌ ‌ ‌  ‌ ‌=  ‌ ‌ ‌ ‌ ‌ ‌&nb= sp;‌ ‌ ‌ ‌ ‌  ‌=  ‌ ‌ ‌ ‌ ‌ ‌&nb= sp;‌ ‌ ‌ ‌ ‌ ‌ =  ‌ ‌ ‌ ‌ ‌ ‌&nb= sp;‌ ‌ ‌ ‌ ‌ ‌ = ‌  ‌ ‌ ‌ ‌ ‌&nb= sp;‌ ‌ ‌ ‌ ‌ ‌ = ‌ ‌  ‌ ‌ ‌ ‌&nb= sp;‌ ‌ ‌ ‌ ‌ ‌ = ‌ ‌ ‌  ‌ ‌ ‌&nb= sp;‌ ‌ ‌ ‌ ‌ ‌ = ‌ ‌ ‌ ‌  ‌ ‌&nb= sp;‌ ‌ ‌ ‌ ‌ ‌ = ‌ ‌ ‌ ‌ ‌   &nb= sp;‌ ‌ ‌ ‌ ‌ ‌ = ‌ ‌ ‌ ‌ ‌ ‌ &zw= nj;  ‌ ‌ ‌ ‌ ‌ = ‌ ‌ ‌ ‌ ‌ ‌ &zw= nj; ‌  ‌ ‌ ‌ ‌ = ‌ ‌ ‌ ‌ ‌ ‌ &zw= nj; ‌ ‌  ‌ ‌ ‌ = ‌ ‌ ‌ ‌ ‌ ‌ &zw= nj; ‌ ‌ ‌  ‌ ‌ = ‌ ‌ ‌ ‌ ‌ ‌ &zw= nj; ‌ ‌ ‌ ‌  ‌ = ‌ ‌ ‌ ‌ ‌ ‌ &zw= nj; ‌ ‌ ‌ ‌ ‌  = ‌ ‌ ‌ ‌ ‌ ‌ &zw= nj; ‌ ‌ ‌ ‌ ‌ ‌=   ‌ ‌ ‌ ‌ ‌ &zw= nj; ‌ ‌ ‌ ‌ ‌ ‌=  ‌  ‌ ‌ ‌ ‌ &zw= nj; ‌ ‌ ‌ ‌ ‌ ‌=  ‌ ‌  ‌ ‌ ‌ &zw= nj; ‌ ‌ ‌ ‌ ‌ ‌=  ‌ ‌ ‌  ‌ ‌ &zw= nj; ‌ ‌ ‌ ‌ ‌ ‌=  ‌ ‌ ‌ ‌  
 
CAPTURING JOY VIEW ONLINE
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3D"National
CAPTURING JOY
Saturday, June 18, 2022
In today’s newsletter, w= e see artists’ interpretation of Black joy, examine the flooding at Yellowstone, report the solving of a 329-year-old treas= ure ship mystery … and recognize Father’s Day<= /em>=2E
3D""
PHOTOGRAPH BY SARAHB= ETH MANEY

By Whitney Johnson, Director of Visual and Immersive Experienc= es

“Black joy is your best summer day in your most styli= sh outfit,” says photographer and filmmaker Dee D= wyer=2E “It’s freedom, you know? It’s having = no fear,” she says, pausing=2E “Just like = Nina Simone states: Freedom is having no fears=2E”

= Dee is one of several artists who photo editor Maya Vale= ntine approached to celebrate the Black experience by highlighting= artists who dedicated a lot of their work–if not all of it–t= o visualizing the stories of their own community=2E In writing the Nat Geo = story, Rachel Jones noted that Black joy often comes with a ca= veat: “We are happy that we can function in a system that was de= signed to keep us obedient, invisible, and disenfranchised=2E”
<= br>In Maya’s interviews, “each storyteller–artist, fil= mmaker, photographer–was asked the same three questions–about= traditions, untold stories, joy, love, and resilience=2E With each intervi= ew, we heard about the role that Black joy plays in their work and personal= lives=2E”

“Black joy is really reclaiming the right = to rejoice because for so long that was something that was not offered to B= lack people,” says Sarahbeth Maney, who = knows a thing or two about capturing joy=2E Her photogra= ph of Leila Jackson, made during the hearin= gs that confirmed her mother Ketanji Brown Jackson to the Supreme Court, went viral=2E “It feels like a form of pro= test but also it feels like a form of healing=2E” (At top is her pho= to on the meaning of sisterhood, set beside Oakland’s Lake Merritt; = below, on the South Side of Chicago, two images of what photographer Akilah Townsend calls “an ode to memories of s= ummertime Chi=2E”)
=
3D""
PHOTOGRAPHS BY AKILA= H TOWNSEND

Maya, the photo editor, when asked what she hopes viewers will take away f= rom this collaboration, reinforces the significance of having Black artists= visualize their community’s experience:

“Having our s= tories captured by our own people is so important and uplifting=2E” =

See the= full story here—and catch more images below=2E
=
3D""
PHOTOGRAPHS BY CHRIS= TIANNA COX

At a scaled-down 2021 Labor Day celebration in New York City, Pam Johnson (left) sports a blue carnival costume designed = by Sesame Flyers, a Caribbean organization, and a young masquerader display= s a variety of Caribbean flags=2E
=
3D""
PHOTOGRAPH BY DEE DW= YER

Wheelie Wayne demonstrates his skills on his q= uad bike in Baltimore, his hometown=2E Wayne’s dedication to bike li= fe culture has led to him being called a godfather to this unique community= =2E
=
3D""
COLLAGE CREATED BY R= ACHEL ELISE THOMAS=2E GIF CREATED BY REBEKAH BARLAS

“She is the heart of our family,” says Ra= chel Elise Thomas of her grandmother, Oneida=2E The artist created this collage in Oneida’s honor, using i= tems from women in her family: “The picture of the young woman in th= e collage is my grandmother when she was 19=2E The handwritten note in the = envelope was found in my mother’s recipe book; it’s a dump ca= ke recipe that my grandmother had written down=2E The envelope is from a bi= rthday card my sister gave me, and the yellow roses are from a vintage flow= er advertisement=2E”

Reader, please consider s= upporting our storytelling by subscribing to our magazine and unli= mited digital offerings=2E
=
STO= RIES WE'RE FOLLOWING
3D""
PHOTOGRAPH BY DAVID = GOLDMAN, AP
=
= Why did Yellowstone get hit with such widespread flooding? (Pictured above, sections of a washed-away park road in Montana)
= Romans talked of a vast, formidable Scottish forest=2E Can you say ‘= tall tale’?
Juneteenth was ‘a first taste of fre= edom=2E’ Why did the fight against slavery take so long?
How humans are= dealing with extreme temperatures in fast-warming Kuwait
Divers off Oregon discover the sunken galleon made famous in ‘Th= e Goonies’
Rising from th= e depths: A Chinese ship on the seabed for eight centuries
IN = THE SPOTLIGHT
PHOTOGRAPH BY KWAME = BRATHWAITE

Through his father’s lens: The son of f= amed photographer Kwame Braithwaite says his fa= ther, now 84, has always sought a more equitable society through art=2E Loo= king at his dad’s work, “His images were the visual lyrics of= the Black is Beautiful movement, intersecting the worlds of politics, fash= ion, music, art and culture—from Little Stevie Wo= nder and the Supremes at the Apollo Theater in New York City in 19= 63, to the Rumble in the Jungle boxing match between Geo= rge Foreman and Muhammad Ali in 1974, = to Nelson Mandela’s historic inauguratio= n as president of South Africa in 1994,” Kwame S=2E Brathwaite write= s=2E But the photographer also has covered family life, as in the image= (above) of his daughter, Ndola Brathwaite, on = a school field trip to Lincoln Center, circa 1973=2E

Father = 19;s Day: What my dad taught me about fishing in Alaska
=
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SEE MORE IMAGES
PHO= TO OF THE DAY
3D""
PHOTOGRAPH BY SOFIA = JARAMILLO, @SOFIA_JARAMILLO= 5

=
Up the hill: The wildfire smoke has a pretty p= ink hue as Heraclio De La Cruz pushes sheep to = higher elevations in the Okanogan-Wenatchee National Forest near Cle Elum, = Washington=2E With increased wildfires in the West, moving flocks safely th= rough mountains is getting more difficult=2E The main duties for these shep= herds, responsible for about a thousand sheep each, are moving their flock = to fresh grazing grounds, protecting sheep from predators, and making sure = none is lost=2E

Speaking of shepherds: = A rare look at a perilous journey in the Caucasus
=
IN = A FEW WORDS
3D"QUOTE"
Black joy is Black people being unapologetically Black=2E When it comes to= music, dance, the way we laugh, the way we talk=2E Just the vibration of B= lackness at its fullest=2E
 
Asha Stuart
Documentary photographer and filmmaker, Nat Geo Explore= r
LAST GLIMPSE
3D""=
PHOTOGRAPH BY DIANA = MARKOSIAN, NAT GEO IMAGE COLLECTION

Walking in the sunlight: Portland artist and a= ctivist Cleo Davis, Jr=2E, walks with his child= ren in their neighborhood=2E The image, recently used in our Photo of the D= ay archival feature, was part of a March 2021 article on civil rights activ= ism in Oregon and the state’s racist past=2E When Oregon became a st= ate in 1859, it had a law banning Black residents=2E Though Portland has si= nce developed an ultraliberal reputation—and even been parodied for = it—the city is also one of the whitest large communities in America= =2E Nat Geo’s Nina Strochlic examines ho= w the city became a hotbed of racial rec= koning after the police killing of George Floyd in 2020=2E
=
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AN OREGON FOR EVERYONE
This newsletter has been curated and edited by David Beard,= Jen Tse, Heather Kim, and Monica Williams=2E Amanda Williams-Bryant, Rita = Spinks, April George, Hobbs Bell, and Jeremy Brandt-Vorel also contributed = this week=2E Have an idea or a link? We’d love to hear from you at <= /em>david=2Ebeard@natgeo= =2Ecom=2E Missed yesterday’s newsletter? It’s here=2E

<= table role=3D"presentation" border=3D"0" cellpadding=3D"0" cellspacing=3D"0= " class=3D"responsivetable" style=3D"width: 600px;" width=3D"600">
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3D"NGM"
3D"NGM"
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